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Jacky So in the KKOB studio talking on a mic for a cover image with an orange background and text overlaid that says, "FUSE and the Shorty Awards on KKOB: Fighting Algorithmic Erasure"

FUSE and the Shorty Awards on KKOB: Fighting Algorithmic Erasure

Leave a Comment / AI Strategy, Algorithmic Erasure, Civic Tech, KKOB, Media, Notes, Social Impact / By / / , , , , , , , / 5 minutes of reading

Did you catch me live on-air with KKOB radio? As a FUSE Executive Fellow and Shorty Awards nominee, I’m building the technical bridges to prevent Algorithmic Erasure and ensure our communities are machine-readable in the AI era. Tune in to hear how we are reclaiming the digital narrative for the new Office of APINH Affairs and positioning New Mexico as a global blueprint for tech equity.

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AI Strategy, Algorithmic Erasure, Civic Tech, KKOB, Media, Notes, Social Impact, , , , , , ,
Technical framework diagram for Project BRIDGE by Data With Style. The image is divided into five columns: Overview of institutional invisibility, Implementation of Semantic HTML solutions to solve technical debt, Results showing search transformation before and after GEO, an Asset Map detailing the APINH Application Core, and an LLM Logic Trace showing how Generative AI retrieves community data.

Engineering Restorative Digital Justice

Leave a Comment / Data, Equity in Tech, GEO & AI Strategy, Notes / By / / , , , , , , , , , , , , / 8 minutes of reading

Jacky So officially changed the course of the internet. By pioneering Restorative Digital Justice and Search-to-LLM infrastructure, she has architected a future where equity is built into the AI equation. Discover the impact of her Shorty Award-nominated work with Project BRIDGE and how she’s helping mission-oriented companies navigate the emerging world of Generative Engine Optimization (GEO).

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Example datasync aws diagram

How Data Teams Can Implement Multi-Cloud Disaster Recovery on AWS, Azure, and GCP

Leave a Comment / Braindumps, Data, Guide, Notes / By / / , , , / 8 minutes of reading

File under: AWS, Azure, GCP Tips for Data Teams Intro Picture this: It’s a regular workday, and your data intelligence platform is running as expected. Everything is smooth, clients are getting the dashboards they need, internal teams have queries and background jobs doing analysis, training data sets, etc. Suddenly–P0!! P0!! Out of nowhere, a region-wide

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Data With Style brand style sheet made in Figma

Data With Style Brand Guide Using Figma

Leave a Comment / Notes, Product Marketing / By / / , / 1 minute of reading

Data With Style Brand Guide using Figma Sometimes, you have a vision of how you would like a brand to look–not just the vibe, but you need to translate everything into snippets that the product marketers and front end engineers would require: colors, font styles, sizing, imagery, etc. If you haven’t gotten a chance to

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Figma for product marketing landing page mockup example by Jacky So

Figma for product marketing: Landing pages

Leave a Comment / Notes, Product Marketing / By / / , , , / 7 minutes of reading

File under: Revisiting Old Figma Mockups Back when Adobe Illustrator was the default software of choice for any design team licenses, I remember feeling the shift of something going on in the industry: a desire for people to collaborate in real-time via the browser. Around this time, I was using Illustrator for product mockups at

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Letter From Jacky

Braindumps, Notes / By / / / 4 minutes of reading

Letter From Jacky “We meet in an hour of change and challenge,In a decade of hope and fear,In an age of both knowledge and ignorance. The greater our knowledge increases, the greater our ignorance unfolds.”— President John F. Kennedy, “Moonshot” Speech, 1962 Let’s be really upfront about who Data With Style is for When I

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United by Music Malmo banner in the trash

ESC in Malmö just concluded – some quick thoughts

Leave a Comment / Braindumps, Notes / By / / , , , , , / 7 minutes of reading

Eurovision Malmö Mess: Eurovision in Malmö just wrapped up, and so many unprecedented events unfurled in real time. At the Grand Final Jury Show in Malmö, the audience was told Netherlands would not be performing live and that a video of the Semi-Final 2 performance would be shown instead. The audience was not given more

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